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Writer: Lino DiSalvo / duration: 1 H 39 M / 2019 / Lino DiSalvo / Genre: Musical / Liked it: 1687 Vote. Copyright Cmovieshd. All Rights Reserved Disclaimer: This site does not store any files on its server. All contents are provided by non-affiliated third parties. Will Smith turn into bird Tom Holland turn into Dust. What? This is a movie? I had not idea. I have never seen a trailer for this film before. Why has this not been promoted. Follow ing Go To Audience-Alienating Premise: While the idea of a LEGO movie was met with ridicule before its release, it ended up blowing everyone away and actually made sense since LEGO is such a worldwide phenomenon. Playmobil is more of a niche toy, with many comparisons to The Lego Movie flooding in as soon as the trailer released. Fitting, since Playmobil has always been stuck in LEGO's shadow. In fact, the only way this movie wouldn't be overshadowed by The Lego Movie is if this movie came before, which it didn't. Awesome Art: While it doesn't look much like Playmobil, even the movie's harshest critics agree that the artstyle is gorgeous. Cliché Storm: Sibling duo, who are orphans with the older sister being Promoted to Parent, have a strained relationship. The older sister grew up too fast, while her brother is still a kid playing with toys. One day, the two of them accidently enter a magical world of toys, where the older sister has to prove herself and learn to be a kid again, while her brother gets superpowers which helps him mature. Ensemble Dark Horse: Rex Dasher is generally considered to be one of the few genuinely likable characters, due to being a charming British spy played by none other than Harry Potter himself. Some people outright state the movie would've been much better if it focused on him, or at least focused on him more, since he doesn't appear as often as advertising might suggest. Emperor Maximus is also quite beloved by viewers, due to his extremely hammy performance and catchy Villain Song. Fandom Rivalry: Take a guess. Many fans of The Lego Movie accuse Playmobil to be a shameless rip-off of the former, not unlike the rivalry between LEGO and Playmobil themselves. Friendly Fandoms: However, some Lego Movie fans are okay with the movie, since some speculate that The Lego Movie 2 The Second Part could be the last one, so they would be more than happy to check this movie out. Harsher in Hindsight: This is not the first STX film starring a member of the Golden Trio to bomb at the box office. He Really Can Act: Adam Lambert sure has a nice singing voice, but this movie is proof that he is also a somewhat talented voice actor. Just Here for Godzilla: Many people looked forward to watching the movie just for Adam Lambert. Strangled by the Red String: Rex Dasher is supposedly Marla's Love Interest, however they don't share a lot of scenes clarifying that. And even if they did, Rex is a toy while Marla is a real person. So Bad, It's Good: While nowhere near as bad as The Emoji Movie, Pan Pizza at least recommended this movie for bad movie night, saying it can be really enjoyable if seen with the right people. They Copied It, So It Sucks. The similarities to The Lego Movie aren't even subtle. To the movie's credit, they at least try to tell an original story, rather than simply copying The Lego Movie 's story. It's even referenced in the critical consensus on Rotten Tomatoes: Much like the toys it advertises, Playmobil: The Movie seems sadly destined to be regarded as a superficially similar yet less desirable alternative to the competition. They Wasted a Perfectly Good Plot: Many viewers argue that the plot and premise of the movie has potential, however, they couldn't have handled it worse than they did in the movie. The movie pretty much goes from setpiece to setpiece, some more interesting than others, but without any significant development made in any of them. If there wasn't the overlaying theme of the heroine trying to save her brother while discovering the feeling of being a kid again, the movie would be a straight-up Random Events Plot. For that matter, the parents dying and straining of Marla and Charlie's relationship is only brought up at the very beginning. Some people felt that the movie could've focused more on these two characters and their realistically tragic situation, especially since the movie takes a nose-dive into childlike absurdity without any real connection between one plot and the other. Took the Bad Film Seriously: Despite the rather lackluster script, the main cast has gotten praise for at least trying to give good performances, with Daniel Radcliffe being usually singled out as the best performance in the movie, with his voice work giving Rex Dasher a lot more personality that the script wouldn't allow. Unintentionally Unsympathetic: Many reviews consider Charlie to be very rude and hurtful to his sister, acting like a brat for no onscreen-illustrated reason and outright using their parents' deaths to claim she's dead inside. Ultimately its she, not him, that learns a life lesson, implying that he wasn't in the wrong. Though in all fairness, he is still just a kid who was hardly taught any better. Marla isnt exactly exempt from this either since it is implied her overprotective nature caused Charlie to be annoyed with her. Del also fits into this category during the scene where he leaves Marla when she reveals that she lied about having more gold than she previously said. Marla calls Del out on this, saying he wouldnt have helped her if she didnt offer him any gold. While Del admits this, he tries to downplay it since the dangers they faced are what hes more concerned about. While it is true Marlas actions resulted in many dangers, Del pretty much admits that he wouldve only helped Marla if it benefited him and uses the dangers from the adventure as an excuse to back out. We're Still Relevant, Dammit. If the premise alone wasn't already a testament to that, in the movie proper Charlie is seen flossing. That is all.

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Era so oque me faltava um filme de algo esquecido pela humanidade. For tablet. help me find video playmobil: the movie 2015. [for tablet. help me find video Playmobil: The movie database. Playmobil The Movie follows the adventures of siblings Charlie ( Gabriel Bateman) and Marla ( Anya Taylor-Joy. When the former unexpectedly disappears into the animated universe of Playmobil, Marla must go on a quest to bring him home. During her adventures she teams up with some unlikely new friends, including smooth-talking food truck driver Del ( Jim Gaffigan) dashing and charismatic secret agent Rex Dasher ( Daniel Radcliffe) a wholehearted misfit robot and an extravagant fairy-godmother ( Meghan Trainor. Adam Lambert  voices the character of villain Emperor Maximus. Originally scheduled for release on August 30, 2019, the failing STX Films pushed the films release back, hoping that their Hustlers is a hit upon its release and thus infuses their coffers with enough money to market this film. However, all the money in the world will probably not be enough to save this film from becoming a catastrophic box office failure. Check out photos from Playmobil The Movie: Playmobil The Movie Posters and Photos.

[for tablet. help me find video Playmobil: The. Movie plot When her younger brother Charlie suddenly disappears into the magical, animated universe of PLAYMOBIL, Marla embarks on the adventure of a lifetime to bring him home. Setting off on an incredible journey through new and exciting themed worlds, Marla teams up with various strange and heroic companions, including: Del, a crazed food truck driver; Rex Dasher, a suave and fearless secret agent; a loyal and endearing robot; a hilarious fairy-godmother, and many others! About the movie: PLAYMOBIL: THE MOVIE is the animated highlight of summer 2019. The first motion picture inspired by the popular and award-winning brand of toys, the movie takes the audience on an epic and hilarious adventure through the fantastic, limitless universe of Playmobil. With hilarious and endearing characters, thrilling adventures and breathtaking landscapes, the animated story is uniquely fun and original. Director Lino DiSalvo is a Disney veteran who spent 17 years at Walt Disney Animation Studios. Most recently he served as Head of Animation for the international hit ‘Frozen. PLAYMOBIL: THE MOVIE is in UK cinemas from August 9th. Gallery.

For tablet. help me find video playmobil: the movie times. Me: At least the face expression animation was decent. Edit Storyline When her younger brother Charlie unexpectedly disappears into the magical, animated universe of PLAYMOBIL, unprepared Marla must go on a quest of a lifetime to bring him home. As she sets off on a fantastic journey across stunning new worlds, Marla teams up with some unlikely and heroic new friends - the smooth-talking food truck driver Del, the dashing and charismatic secret agent Rex Dasher, a wholehearted misfit robot, an extravagant fairy-godmother and many more. Through their vibrant adventure, Marla and Charlie realize that no matter how life plays out, you can achieve anything when you believe in yourself. Plot Summary, Add Synopsis Details Release Date: 6 December 2019 (USA) See more  » Also Known As: Playmobil: The Movie Box Office Budget: EUR63, 000, 000 (estimated) Opening Weekend USA: 656, 530, 8 December 2019 Cumulative Worldwide Gross: 16, 185, 070 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Christopher Corey Smith's second theatrical non-anime voice acting appearance after Storks (2016. See more » Crazy Credits In a mid-credits, a security guard finds Maximus in his cage and places his on Mount Olympus. The scene ends with the sound of Maximus' laughter. See more » Connections Spoofed in PWN: The Untitled PWN  (2018) See more » Soundtracks So Much World Written by Anne Preven, Heitor Pereira, and Stephan Moccio Performed by Anya Taylor-Joy See more ».

0:05 I've Didn't Know Harry Potter Thinks He Looks Like James Bond 007 From Ian Fleming's Goldfinger In 1964 Or James Bond Jr From James Bond Jr Television Series Back In 1991. Thanks Mate. X. You were too nice to the animation. I thought it just looked generic. [for tablet. help me find video Playmobil: The movie.

For tablet. help me find video playmobil the movies. For tablet. help me find video playmobil: the movie review. For tablet. help me find video playmobil: the movie time. Watched the movie loved it. [for tablet. help me find video Playmobil: the moving image. [for tablet. help me find video Playmobil: themovie. In cinemas December 6 STORY In PLAYMOBILs animated action adventure, a top secret organization has caused citizens from different lands to vanish from thin air. The dashing and charismatic secret agent Rex Dasher (Daniel Radcliffe) must partner with smooth-talking food truck driver Del (Jim Gaffigan) and Marla (Anya Taylor-Joy) a smart, savvy civilian with her own secret agenda, to rescue them. Against unthinkable odds, the trio go on a fantastic journey across stunning new worlds as they gather clues for their rescue mission. CAST & FILMMAKERS Cast: Anya Taylor-Joy, Jim Gaffigan, Gabriel Bateman, Adam Lambert, Kenan Thompson, Meghan Trainor and Daniel Radcliffe Director: Lino Disalvo Producers: Aton Soumache, Dimitri Rassam, Moritz Borman, Alexis Vonarb, Alex Von Maydell, Timothy Burrill, Bin Wu Screenplay By: Blaise Hemingway and Greg Erb & Jason Oremland Story By: Lino DiSalvo Gallery.

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Directed by Lino DiSalvo Writing Credits Lino DiSalvo... (story by) Blaise Hemingway... (screenplay by) and Greg Erb... (screenplay by) Jason Oremland... (screenplay by) Hans Beck... (creator: Playmobil) uncredited) Michael LaBash... (storyline consultant) Cast (in credits order) Anya Taylor-Joy... Marla Gabriel Bateman... Charlie Jim Gaffigan... Del (voice) Daniel Radcliffe... Rex Dasher Meghan Trainor... Fairy Godmother Adam Lambert... Emperor Maximus Kenan Thompson... Bloodbones Kirk Thornton... Ook-Ook Dan Navarro... Viking Leader Maddie Taylor... Glinara Cindy Robinson... Nola Mariah Inger... Ian James Corlett... Dogsled Driver Christopher Corey Smith... Western Outlaw Karen Strassman... Paul Hurwitz... Running Guard Rest of cast listed alphabetically: Dino Andrade... Scurvy Pete Robotitron Ben Diskin... Seadog Kellen Goff... Salty Wilson Gonzalez... Yellow Viking Ryan S. Hill... 6-Year-Old Charlie Tito Ortiz... Royal Guard Paloma Rodriguez... Valera Keith Silverstein... Annakin Slayd... Cop Harry Standjofski... Produced by Moritz Borman... producer Timothy Burrill... co-producer executive producer Adam Fogelson... Stephan Franck... Olivier Glaas... executive producer: live action Emmanuel Jacomet... Mary Maffei... animation producer Jean-Bernard Marinot... line producer Dan Mintz... Bahman Naraghi... Bob Persichetti... Olivier Rakoto... CG Producer Dimitri Rassam... Robert Simonds... Aton Soumache... Axel Von Maydell... Alexis Vonarb... Music by Heitor Pereira Film Editing by Maurissa Horwitz Casting By Mary Vernieu Randi Wells Production Design by Jean-Andre Carriere Rémi Salmon Art Direction by Julien Rossire Set Decoration by Martine Kazemirchuk... key set decorator Production Management Patrick Canning... production manager Carlos Chacin... associate production manager Ginette Guillard... unit production manager Virginie Léger... production manager: additional photography Simon Zaurrini... Associate Production Manager Second Unit Director or Assistant Director Martin Doepner... third assistant director Aurore Paulin... Esteban Sanchez... second assistant director Anne Sirois... first assistant director Art Department Jesse Aclin... character designer Didier Ah-Koon... storyboard artist Nicolas Alberti... set designer Marko Bajic... Vincent Bisschop... Visual development artist Oussama Bouacheria... Yann Boyer... visual development Eric Cesbron... Adrian Chan... creative consultant Raphaelle Dubé... assistant property master head of story Gabriel Gomez... Fancia He... Ethan Hegge... Sam Hood... Jack Hsu... pre-visualization Paul Jesper... Barry Johnson... Nora Johnson... Josiane Jospitre... decorator buyer Mathias Lachesnais... Character FX supervisor Pierre-Henri Laporterie... Javier Ledesma... Larry Leker... Erik Martin... Maxime Mary... Delphine Meier... graphic designer Pierre-Antoine Moelo... visual development artist Javier Peces... Fernando Peque... artist Klepper-Bayle Pierre-Nicolas... Simon Pineau... assistant decorator Nicolas Privé... set dresser Jeff Ranjo... Annie Regol... property master Bill Riling... Jérémy Ringard... Characters Supervisor Maurice Roy... Asuka Sugiyama... art department coordinator Benoit Tranchet... Dirk Van Dulmen... Frans Vischer... David Wachtenheim... Mark Walton... Sound Department Yohann Angelvy... foley recordist Mario Auclair... production sound mixer Louis Bart... dialogue editor / foley editor Norman Bernard... boom operator Christophe Bourreau... foley artist James Bowman... dialog recordist Olivier Calvert... robotitron's voice sound designer Gregoire Couzinier... executive sound producer Tony Diaz... original dialogue mixer Bernard Gariépy Strobl... re-recording mixer Antoine Gervais... foley technician Jon Goc... sound designer / sound effects editor Gwennolé Le Borgne... supervising sound editor Amanda Ann Olstad... audio description editor Egor Panchenko... pro tools playback mixer Agathe Poche... sound editor assistant/foley editor Simon Poudrette... sound mixer Stephane Rabeau... sound effects editor Olivier Ranquet... sound editor Nathan Robert... assistant re-recording mixer Théo Serror... foley editor Carlos Sotolongo... Special Effects by Mario Dumont... special effects supervisor Peter Ejupovic... special effects technician Riccardo Serraiocco... special effects assistant Visual Effects by Luis Arizaga Rico... Character modeler Jonathan Asselin... tracking/layout Mathieu Beaudoin... visual effects artist Eliott Beaudon... cg artist: Raynault VFX Christophe Brejon... lighting lead Stephanie Broussaud... digital compositor: Raynault VFX Alex Brueckner... vfx editor Ghislain Bruneau... Luca Buonopane... modeler Fabien Charbonnier... head of it Guillaume Chiavassa... i/o editor Alexandre Clermont... digital compositor / lighting-compositing artist Alexandre Corbin... tracking/matchmove/layout artist Jacinthe Côté... visual effects producer: Raynault VFX David Danesi... visual effects producer Elisa-Ann Dion... modeling artist: Digital District Mario Donio... lead compositor Maxime Dontigny... digital compositor Marwan El Ghazal... tracking/layout artist Nicolas Fidala... lead matte painter: Digital District Catherine Gaucher... visual effects line producer: Raynault VFX Éric Hamel... matte painter: Raynault VFX Alexandre Jacquet... Sergey Kononenko... cg supervisor: Digital District Etienne Laroche... Loic Laurelut... compositing supervisor: digital district François Leduc... Alexia Levieuze-Palancade... Visual Effects Coordinator: Digital District Thomas Lhomme-Sorel... Curtis Linstead... system engineer: Raynault VFX Nicolas Lourme... lighting artist Sonia Marques... Fernando Fausto Martínez... Lighting Artist Sandrine Mercier... Nadia Miltcheva... 3D modeler Romain Moussel... editor/visual effects Simon Ouellet... pipeline TD: Raynault VFX Julie Palnychenko... visual effects coordinator Vincent Poitras... compositing supervisor: Raynault VFX Mathieu Raynault... visual effects supervisor: Raynault VFX Etienne Salançon... visual effects supervisor Christian Salazar... Federico Sella... fx artist / visual effects artist Claire Simond... digital matte painter: Digital District Katharine King So... vfx production assistant (as Katharine King) Marque Pierre Sondergaard... senior texture artist: Digital District Sylvain Theroux... cg supervisor: Raynault VFX Amelie Thomas... visual effects coordinator: Raynault VFX Chloé Tousignant... Narendra Kumar Vadapalli... Lead Pipeline TD / technical pipeline supervisor Romane Wingerter... visual effects production assistant: Raynault VFX Shibo Xiao... Ruben Gerardo Alfaro Moreno... visual effects (uncredited) Florian Suc... lead modeling (uncredited) Camera and Electrical Department Jean-Sébastien Caron... a camera/steadicam operator Denis Lamothe... gaffer Ismael Tremblay-Desgagnes... lighting technician Jonathan Wenk... still photographer Animation Department Sophie Adida... animator Mauro Affronti... Guillaume Arantes... Viola Baldwin... Character Animator Corentin Barcelo... Claudia Barrera... animation production coordinator Jean-François Barthélémy... Louis Beucler... Julien Bocabeille... head of animation Guillermo Dupinet Bours... Thomas Bozovic... Nassim Briedj... Jenna Byun... Marc-Anthony Cadieux... production coordinator Mylène Charette... animator (as Mylène Charrette) Nicolas A. Chauvelot... key animator Simon Cuisinier... animation supervisor Ramón de la Cuesta... Andres Derakhshani... Antoine Donnelly... Paulina Duems Noriega... Danielle Dumont... Omar El Hindi... Lutgardo Fernández... Tiago Ferreira... Jean-Renaud Gauthier... Jean-François Gignac... Andre Giordani... senior technical layout artist Hernan Giraldo... Nicolle Gordon... layout artist Tanguy Gourret... Adeline Grange... Jennifer Gustafson... Thibault Hormiere... David Hurtubise... td animation Rosaria Iaccarino... Silke Jager... Kris Kapp... lead layout artist Gäetan Leconte... Alicia Leo... Daniel Ti Yan Lim... Ulysse Malassagne... animator: 2D animation artist Anaïs Mallégol... Taran Matharu... Pre Production Lead Animator Xanthe Menor... Jonathan Meret... Etienne Metois... Albert Miarnau... Naoko Mizutori... Louis Mousseau... Kyle Moy... Ariella Myers-Colet... Jakub Pazera... animator / senior animator Elissa Peterson... Nicolas Pinet... Chloé Proulx... Patrick Pujalte... Zachary Rahman... Pat Rhodes... Caroline Roux... David Roux... Warren Seeley... Francis St-Cyr... Ki Eun Suh... Audrey-Anne Surprenant... texture artist Neïla Terrien... Frederic Tetrault... Arnaud Tribout... color artist Adam Trout... Michel Urbanek... Eduardo Valero... Jack Vandenbroele... Animation Supervisor / Animation supervisor Lorenzo Veracini... supervisor layout and previs Pere Via... Juan Carlos Vigil... Casting Department Julie Breton... extras casting Patty Rhinehart... casting assistant Raylin Sabo... casting associate (as Raylin Smith) Costume and Wardrobe Department Katina Kordonouris... wardrobe supervisor Editorial Department Julien Archambault... dailies producer Dario Barrera... post-production coordinator Mathieu Beausoleil... on-line editor / on-line stereographer David Condolora... first assistant editor Mark Deimel... additional editor Jess Fulton... editor Adam Garner... associate editor Eve Garnier... Ally Garrett... Consulting editor Nick Kenway... Michèle Klaponski... Thorsten Knatz... Denise Lee-Hutchinson... assistant editor Amy McBeth... second assistant editor Etienne Proulx... Vickie-Lynn Roy... colorist Erika Scopelli... Adrian Syben... Location Management Réjane Gouzerh... assistant location manager Dominique Leroutier... location manager Music Department Robert Adams... music preparation / orchestrator Jeff D. Anderson... orchestrator Slamm Andrews... music editor Chris Barrett... pro tools recordist Mark Berrow... violin Daniel Bhattacharya... musician Rachel Bolt... viola Natasha Canter... assistant engineer Budd Carr... Executive Music Producer John W. Chapman... additional engineering Fiona Cruickshank... Matt Friedman... score mix assistant Greg Hayes... music scoring mixer / songs mixer David Hernando... conductor: Bratislava Symphony Choir Todd Honeycutt... singer: small ensemble Kent Kercher... score technical engineer John Leftwich... Steve Mair... musician: double bass Elaine Lizardo Marte... Jack Mills... Stephan Moccio... songwriter Perry Montague-Mason... Everton Nelson... concertmaster Anne Preven... music producer / songwriter Jasper Randall... vocal contractor Gary Robinson... Additional Music Luis Rodriguez-Feo... Guillaume Roussel... additional music Sammy Sanfilippo... music preparation Tim Schmalz... musical arrangements Daniel Semsen... John Shaw... David Shipps... music preparation / supervising orchestrator Shao Jean Sim... Jill Streater... supervisor music copyist uk Alexander Verbitskiy... technical score engineer Cali Wang... scoring engineer Nadia Wheaton... Score Coordinator: Los Angeles David Wise... vocal arranger Nick Wollage... score engineer Kenny Wood... additional arrangements Phillip Rapa... music intern (uncredited) Script and Continuity Department script coordinator Nathalie Paquette... continuity Other crew editorial production coordinator / production coordinator: story / story coordinator Omar Bermúdez... marketing and creative services Thamar Carmenes... Liliana Chiricheu... Paymaster Leonor Choux... marketing coordinator Priscilla De Beaulieu... back-up production assistant (as Priscilla Adam De Beaulieu) Bartolome Delaporte... Marketing Intern Tom Guida... legal counsel Jean-Francois Hall... production assistant Chelsea Itaya... story department coordinator Luke Ives... Marketing Graphic Designer Jean-Patrick Joseph... special equipment supplier Marilyne Lamontagne... Charles Lamoureux... additional production assistant Clément Lelong... marketing art director Blandine Masseron... Legal Counsel Kevin Pestel... Amanda Quaid... dialect coach Andrea Schweitzer Gil... Spencer Soloman... assistant Tom Lasell Stevenson... producer's assistant (as Tom Stevenson) Yara Tabbara... HR & Recruitment Coordinator Lorette Torelli... Film Accountant Quin Tran... Relocation Manager Louise Trudeau... production accountant Thalia Vitaniotis... Recruitment and HR Manager Thanks Mark Burton... very special thanks Agence du Développement Economique du Canada... special thanks Sam Fell... Alicia Gold... Karey Kirkpatrick... Cecil Kramer... Rob Letterman... Peter Lord... Tom McGrath... Nick Park... Investissement Québec... Timothy Reckart... Carla Shelley... David Sproxton... Richard Starzak... very special thanks.

User Score Play Trailer Overview Marla is forced to abandon her carefully structured life to embark on an epic journey to find her younger brother Charlie who has disappeared into the vast and wondrous animated world of Playmobil toys. Featured Crew Lino DiSalvo Director, Story Blaise Hemingway Screenplay Greg Erb Jason Oremland You need to be logged in to continue. Click here to login or here to sign up. Global s focus the search bar p open profile menu esc close an open window? open keyboard shortcut window On media pages b go back (or to parent when applicable) e go to edit page On TV season pages → (right arrow) go to next season ← (left arrow) go to previous season On TV episode pages → (right arrow) go to next episode ← (left arrow) go to previous episode On all image pages a open add image window On all edit pages t open translation selector ctrl + s submit form On discussion pages n create new discussion w toggle watching status p toggle public/private c toggle close/open a open activity r reply to discussion l go to last reply ctrl + enter submit your message → (right arrow) next page ← (left arrow) previous page.

[for tablet. help me find video Playmobil: the moving. Critics Consensus Much like the toys it advertises, Playmobil: The Movie seems sadly destined to be regarded as a superficially similar yet less desirable alternative to the competition. 17% TOMATOMETER Total Count: 59 61% Audience Score Verified Ratings: 196 Playmobil: The Movie Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Playmobil: The Movie Videos Photos Movie Info When her younger brother disappears into the colourful and animated world of Playmobil, Marla is forced to abandon her organised and structured life to rescue him. Finding herself on an incredible and unpredictable adventure within this new world, Marla begins to see potential she never dreamed of. Rating: PG (for action/peril and some language) Genre: Directed By: Written By: In Theaters: Dec 6, 2019 wide Runtime: 110 minutes Studio: STXfilms Cast News & Interviews for Playmobil: The Movie Critic Reviews for Playmobil: The Movie Audience Reviews for Playmobil: The Movie Playmobil: The Movie Quotes News & Features.

Playmobil: The Movie Marla is forced to abandon her carefully structured life to embark on an epic journey to find her younger brother Charlie who has disappeared into the vast and wondrous animated world of Playmobil toys. Duration: 99 min Quality: CAM Release: 2019 IMDb: 4. For tablet. help me find video playmobil: the movie now. For tablet. help me find video playmobil: the movie download. Playmobil. basically a bland and boring toy brand version of LEGO, I think I had a few sets when I young but I was more a LEGO person, so I don't remember all that much about it, anyways with that said, how can you make a good animated film about toys, well Phill Lord and Chris Miller manage to do that incredibly well with the LEGO Movie and that film was a huge success and it's one of my favourite animated films of all time, so now a lot of animated films are taking what made that film a masterpiece and just doing the same thing, like Trolls and this year with Uglydolls, they don't do their own thing they are coping something that worked in the first place and so Studiocanal decided to team up with the Playmobil company to make their own version of the LEGO Movie, only with Playmobil, so they were nice enough to release it in the UK yesterday, which is weird I swear you lot in America don't get it until December. how strange. anyways, I saw it today and. what were you expecting? a good movie? pffff no! it's just as annoying, dumb and blatantly ripping-off the LEGO Movie with it's similarities, in other words it's terrible. so let's talk about it.
Marla (Ana-Taylor Joy) and her brother Charlie loves playing together with Playmobil toys and they really want to travel but after a certain incident with their parents, Marla has to look after Charlie and doesn't have enough time to play with him, but after Charlie tries to run away from her but comes across a toy fair where even more Playmobil is, but after both him and Marla get sucked into the Playmobil world where they both turn into Playmobil characters, but after Charlie gets super strength and gets kidnapped and taken to the ruler of the world Emperor Maximus (Adam Lambert) who wants to use him to battle the big beast, so Marla needs to rescue him, along the way he gets help from other characters like truck driver Del (Jim Gaffigan) and Secret agent Rex Dasher (Daniel Radcliffe) so she goes through a lot of magical nonsensical lands from the Wild West, to a fairytale world and so muc-oh who care? seriously this movie fails from start to finish, it's so cliched and predicable, really unfunny, tries too hard to be dramatic but it didn't effect me, it has a lot of elements that are taken from the LEGO Movie and uses them to try and be it's own thing when really you can tell it has LEGO Movie written all over the place, it doesn't hide the fact that it's the LEGO Movie only replaced with Playmobil, it doesn't help either that is so much blatant foreshadowing, which can be done if it's clever and well hidden, but here it's very obviously at what will happen, so why care about the story and execution, speaking of, it's executed in a lazy way that it makes no sense at all and it feels boring, I'll admit I got a few chuckles and and one or two laughs, but the humour is rather lowbrow and juvenile and copying the LEGO Movie's humour in a way, the writing, the directing, the story, everything feels lazy and in a clueless way, which shows here that they were "trying" to make a movie, only to rip-off the LEGO Movie instead.
The animation and the live-action visuals are the closest things to being good, while it's not as amazing as the LEGO Movie, the animation is pretty good, not great but not awful, it has bright colours, nicely done character animation and designs, they expand on the world of Playmobil and do play around with it, with the figures, animals and the different magical and unique lands in the world, the facial expressions are also good, with the real life figures having a bland expression, here they have full expressions and it works in a film like this, not only that but with the live-action secnes are well shot, especially when Marla and Charlie are in the Toy Fair with the Playmobil toys, it's quite well done, however despite the good animation, it also looks generic, it's not very movie-y quality, it looks something that belongs to Netflix or YouTube, also unlike the LEGO Movie where the detail in the animation is supposed to look exactly like actual LEGOs and it's meant to have that feel of a kid playing with a toy, here it's just. a basic bland looking animated Playmobil film, many towns and areas feel very similar to the LEGO Movie. again, but regardless the animation certainly does it's job as a Playmobil movie, it has a lot colours, good character designs and well done fight scenes too, that and the live-action scenes look nice enough, although basic and bland looking and nothing special, the animators did somewhat try with what they got.
The characters are the very definition of "just toys for kids to buy" with maybe one exception, Marla is just the generic protagonist who has no redeeming qualities, like at all, Charlie is just even worse as the kid who thinks everything is "cool" and "awesome. he's super forgettable, Del is a annoying comic relief, he does everything a awful comic relief character do, be funny, try and help, think about other things then be serious for a moment, Emperor Maximus can be a tad bit entertaining, but is overall a annoying villain with motives that make no sense at all, the other characters like Bloodbones (Kenan Thompson) Robotitron (Lino DiSalvo) the Fairy-Godmother and other comedic characters are pretty much useless and have very little screen time, the only character that mildly enjoyable is Rex Dasher, he at least has a personality, good comedic timing, charm and in a way cool! easily my favourite character in the entire movie, the voice acting is not good, Ana-Taylor Joy is good as Marla, but nothing special, Jim Gaffigan as Del is just playing himself as a Playmobil character, not as good as Van-Helsing from Hotel Transylvania 3, but not as terrible as Ping from Duck, Duck Goose, Daniel Radcliffe is great as Rex Dasher, Adam Lambert is annoying as Maximus, Meghan Trainor is decent as the Fairy God-Mother, Kenan Thompson (why am I seeing his name appearing in a lot of animated films now? first Tiffany Haddish, now Thompson, I wonder what else lies in his contract. is okay as Bloodbones, basically everyone expect Radcliffe and Joy do a decent job, so with characters that no one cares about and voice acting that is underwhelming, it's just embarrassing, I mean I like Rex Dasher, Radcliffe and Joy do a good job with their performances, but it's not enough to save these dumb characters.
There are a few musician numbers that are forgettable and awful, except "Give The People What They Want" that was alright, but not enough, Heitor Pereira's score is beautiful and "Run Like the River" by Meghan Trainor is quite good, but it doesn't stand out at all really, just by the numbers, bland and very basic songs.
Why did I even waste my time watching this cash grab of a rip-off? Playmobil: the Movie is just awful, with a lazily written story, juvenile humour, basic and generic animation, forgettable characters, voice acting that is not very good and really dumb musical numbers, sure it has a moment of comedy, a few chuckles, animation is good along with nice looking live action visuals, Rex Dasher being the best character in the film, along with two good performances and decent music, but I'm afraid they don't save this trainwreck of a movie, it's just the Playmobil version of the LEGO Movie, only dumber and worser, I really hate this movie, not the worst animated film ever or one of the worst I seen, but it is quite close to being on the top five worst animated films of all time list! please don't go and see it, there are better animated films out there, go see Angry Birds Movie 2! that one was surprisingly decent, Toy Story 4 is still playing and I love the movie, this movie doesn't deserve your money, funnily enough I was thinking about the Emoji Movie while watching the Playmobil: the Movie, which is a very bad sign, I just hope studios stop making junk and start making original films instead but. that might not happen anytime soon, thanks to this film, I have lost hope. br> This dumb thing easily gets a 2.9/10.

I thought it was great but more importantly it holds the attention of my 4 year old, which most movies don't do. Playmobil should have just stuck to the Roman's and went with that as a historic like 300 🤷🏼‍♂️.

The Lego Movie But it's the darkest timeline. For tablet. help me find video playmobil: the movie full. For tablet. help me find video playmobil: the movie lyrics. I like the song but the guy is more gay than ever. YouTube. August 6, 2019 11:30PM PT Kid-friendly but disappointingly short on charm or smarts, this toy-based toon largely serves to flatter the 'Lego Movie' franchise by comparison. Tucked in the closing credits of “ Playmobil: The Movie ” is a dedication to Horst Brandstätter, the German entrepreneur whose company began production of the now-iconic Playmobil toys in the 1970s — acknowledging a vast popular legacy for the dinky figurines that now extends to a whole animated feature. Its a nice touch, if a tellingly incomplete one: Unmentioned is Hans Beck, the inventor who designed and developed the toys themselves, and by the end of this snazzy but shrilly synthetic kids romp, its hardly surprising to see business acumen honored ahead of creative input. An attempt to do for the smiling, claw-handed Playmobil collective what “The Lego Movie” did for the humble plastic brick — but without that blockbusters dizzy, self-aware wit and visual invention — Lino DiSalvo s hyperactive film never transcends its blatant product-flogging purpose. The result, brightly stuffed with pirates and vikings and glitter-winged creatures at every turn, will no doubt please very young viewers as it unrolls across Europe and beyond this summer, though it makes precious few concessions to their summer-fatigued parents. (STX Entertainment has pushed the U. S. release to early December, which should at least get a few Playmobil sets on various Christmas wishlists. A former Disney animator integral to the success of “Frozen” and “Tangled, ” DiSalvo piles on the plastic spectacle in his directorial debut, whizzing his audience frantically through a slideshow of disparate dayglo environments that also, of course, handily showcases the breadth of the Playmobil range: the Wild West one second, ancient Rome the next, with dragons and 21st-century cars equally at home in either. The words “Collect em all! ” never actually appear on screen, but the directive is felt. This approach, not so much world-building as world-displaying, ensures that “ Playmobil: The Movie ” never stalls: Like a child eagerly showing off their toy collection, its always got something new and sparkly to wave in our faces. It does, however, show up the distracted raggedness of the films storytelling, which is heavy on moment-to-moment activity and perilously light on consequential action. A thin quest narrative, patched together from “Peter Pan, ” “Labyrinth” and assorted Disney-Pixar offcuts, plunges two orphaned New York siblings into the iridescent cartoon universe of Playmobil, essentially stranding them there until both reconnect with the childhood joy they once knew. No prizes for guessing what they played with in those halcyon days. An over-extended live-action prologue introduces perky high school senior Marla (Anya Taylor-Joy, very far from the cool adult rigors of “Thoroughbreds” and “The Witch”) whos preparing to travel the world once she graduates. The first of several unmemorable musical numbers details all the planned adventures that she and her fanciful kid brother Charlie (the talented Gabriel Bateman, appearing more juvenile than in “Childs Play”) have hitherto only enacted in plastic. Yet when tragedy strikes and her parents are killed in a car accident — a tactful reveal that may nonetheless strike an overly glum note for very small fry — her dreams are deferred. Cut to four years later, and the responsibilities of guardianship have hardened and dispirited Marla in ways only a clumsily engineered visit to a magical branded model fair can remedy: Beamed into a sprawling diorama of the three-inch wonders, she and Charlie emerge as animated, Playmobilized versions of themselves. Well, she has; Charlie gets to be a fierce, tattooed Viking warrior, immediately hero-worshipped by his fellow Norsemen for prowess in battle. (Boys seemingly have most of the fun in this universe, while girls get to be fairy godmothers or vindictive villainesses. Within minutes, hes abducted by maniacal Roman emperor Maximus (Adam Lambert) who it turns out is building a gladiator squad of imprisoned heroes from other Playmobil lines: pirates, Amazonians and even Rex Dasher, a slick-but-dim 007 clone voiced rather plummily by Daniel Radcliffe. Its up to Marla to traverse this disordered realm and rescue him, with a wisecracking assist from food-truck driver Del (Jim Gaffigan) and occasional stops for songs that, even when handled by actual pop stars like Lambert and Meghan Trainor, have remarkably little melodic staying power. Despite ostensibly strong emotional stakes upfront, with our heroine burdened by familial grief and guilt, its hard to care much when it feels like so much pretext for a feature-length commercial — in particular, a tacked-on moral championing the liberating virtues of pure imagination rings a bit hollow amid the avalanche of obvious merchandising. Where “The Lego Movie” subverted this irony with its own wry meta-commentary on the tension between product and character, “Playmobil: The Movie” is neither as thoughtful nor as playful, having less fun than you might think with the built-in absurdities and anachronisms of a crazy-quilt toyland where cowboys and dinosaurs live side by side. Even the “Angry Birds” films found more scope for outright hilarity in their cynical framework. Meanwhile, after the films first, amusing animated scene, in which Marla struggles to adapt to the stiff joints of her Playmobil body, the figurines are swiftly treated as any other madly scrambling (and scrambled) cartoon characters. If youre hoping for at least one sight gag at the expense of the Playmobil populations signature horseshoe-shaped paws, for example, none comes; even the corporate branding here isnt all that distinctive. From a purely technical standpoint, DiSalvos Mouse House-honed expertise is evident in the soda-pop sheen of the animation, fully embracing the airbrushed fluidity of computer graphics where one might have expected at least a tip of the hat to the stop-motion aesthetic of the toys themselves. Here, as in so many other departments, “Playmobil: The Movie” could stand to be scrappier, to shed some focus-grouped slickness for a soul of its own. “Adventure is worthwhile in itself, ” Marla observes, quoting her childhood heroine Amelia Earhart; for all its organized chaos, this proficient promotional exercise hardly walks the talk. Hong Kong on Monday severed nearly all of its land and sea connections with mainland China as part of growing measures in Asia to slow the spread of coronavirus. The move makes it ever more likely that Hong Kong FilMart, the biggest film industry trade market in Asia, will be postponed. A decision is to. German film and TV company Telepool, jointly owned by Hollywood actor-producer Will Smith and Swiss investor Elysian Fields, is moving forward in multiple areas of the entertainment business, CEO André Druskeit tells Variety. Druskeit reveals a major new acquisition for its German distribution arm, and Julia Weber, head of theatrical sales and acquisitions at Telepools. “Scare Me, ” written and directed by first-time filmmaker Josh Ruben, is a spook show stripped to the basics. A boy and a girl, Fred and Fanny (Ruben and Aya Cash of “Youre the Worst”) hole up in a snowbound cabin swapping scary tales by the fireplace. He postures as a horror novelist, director, screenwriter and. The experiment known as Biosphere 2 may be best remembered now — when remembered at all — as something that spawned “Bio-Dome, ” the godawful 1996 comedy that is nonetheless many peoples favorite movie involving Pauly Shore or Stephen Baldwin. (Of course, others might get hives at the very idea of having a favorite anything involving. The shares of Chinas entertainment companies crashed within minutes of stock markets reopening on Monday morning. Many firms saw share trading quickly halted after prices moved by the 10% maximum daily limit allowed on mainland Chinese equity markets. Film studio Huayi Brothers Media plunged 9. 9% to RMB 3. 81 per share. Wanda Film was down 10. 01. Disney Plus unveiled the first footage from its upcoming Marvel TV series — “WandaVision, ” “Loki” and “The Falcon and the Winter Soldier” — during the Super Bowl. The 30-second trailer teases the expanding comic book world that will unfold on Disneys streaming service. The new series are set in the Marvel Cinematic Universe and will. James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craigs British spy, promises the 25th “Bond” movie “will change everything. ” The 30-second clip also sees Lashana Lynchs 00 agent in the cockpit as Craig asks, “Have you ever flown.

[for tablet. help me find video Playmobil. Annoying,pandering and generic blur of motion that has no reason to exist. Recensione di Marianna Cappi lunedì 28 ottobre 2019      Da ragazzina Marla passava le giornate a giocare col fratellino Charlie e sognava di girare il mondo. La scomparsa prematura dei genitori l'ha però trasformata anzitempo in una donna occupata in tutto tranne che a divertirsi. Charlie ne soffre e, una sera, uscito di casa senza avvisare, viene attirato dalla vista di un padiglione di giocattoli, dove una distesa di Playmobil sembra aspettare solo di essere animata da un giocatore pieno di fantasia. Quando Marla lo ritrova, non fa in tempo a portarlo via che entrambi vengono risucchiati dal mondo dei giochi e portati in un'altra dimensione, dove hanno le fattezze di due Playmobil e li attende al varco una grande avventura. Esordio alla regia di Lino DiSalvo, animatore di lunga data alla Disney, Playmobil: The Movie è prodotto dallo studio canadese del Piccolo Principe e di Mune. Il film non potrebbe partire in maniera più fittizia e meccanica, con un prologo costruito a tavolino che uccide in quattro e quattr'otto i genitori per avere due comodi orfani, impone una canzone senza un solo verso originale e sa di pretestuoso dal primo all'ultimo fotogramma. Ma la buona notizia è che, una volta nel mondo di plastica, comincia il film vero, e allora tutto va molto meglio. Il commercio dei Playmobil punta da sempre su un immaginario di genere - dal western alle storie di pirati, dai mondi incantati di fate e unicorni a quelli storici di gladiatori e cavalieri - e il film di Di Salvo non fa che attingere ad esso, amplificandolo e intrecciando le carte, in una maniera che ricorda da vicino il gioco infantile, per come mescola ambienti e personaggi, ma è anche narrativamente soddisfacente e sofisticata. In particolare, dietro il viaggio sentimentale che porta Marla e Charlie a ritrovare il piacere dell'infanzia perduta e il gusto di divertirsi insieme, c'è l'evidente archetipo del viaggio spaziale della principessa Leila e di Luke Skywalker sul Millennium Falcon di Ian Solo, qui trasformato in Del, autista squattrinato di un furgone che vende burrito piccanti, e già che c'è contrabbanda fieno magico. A confermare il modello ci sono anche un robottino, un accenno di commedia sentimentale tra Marla e Del, e una lumaca gigante e spietata che sembra uscita da qualche piega della saga di tutte le saghe. Ma ci sono anche la fata madrina delle favole (che nella versione italiana ha la voce di Cristina D'Avena) l'imperatore Maximus (J-Ax) lo 007 Rex Dasher, col suo jingle-tormentone, e un'eco di tutti i classici in cui i piccoli eroi sono stati inghiottiti dal gioco e trasformati immediatamente nel fisico e poi più nel profondo, da una lezione di vita. Contenuto nella durata e nelle ambizioni, il (primo. film dedicato ai Playmobil non ha l'estro folleggiante dei Lego Movie, né il loro umorismo adulto, ma si accontenta di mantenere la promessa di un'avventura a sorpresa in un universo fantastico e variegato, che coinvolge finché dura, e non dà dipendenza.  Sei d'accordo con Marianna Cappi? Scrivi a Marianna Cappi Il tuo commento è stato registrato. Convalida adesso il tuo inserimento. Ti abbiamo appena inviato un messaggio al tuo indirizzo di posta elettronica. Accedi alla tua posta e fai click sul link per convalidare. Chiudi Il tuo commento è stato registrato. Grazie. Gli storici giocattoli prendono vita. Overview di Giorgio Crico giovedì 12 settembre 2019 Playmobil: The Movie è il primo lungometraggio animato dedicato al mondo della Playmobil - appunto - che, dopo il successo dei progetti su grande schermo della Lego, ha deciso di seguire l'esempio dell'azienda danese e sbarcare al cinema per prendersi la sua fetta di mercato. Per riuscirci, ha deciso di affidarsi alla regia di Lino DiSalvo, animatore che nel suo curriculum vanta collaborazioni a Frozen, Rapunzel o Chicken Little. "Non credo di essere una persona che possa sembrare in grado di sostenere un combattimento, suppongo. Ma nelle giuste circostanze mi piacerebbe moltissimo girare un film di spie anche se penso che dovrebbe essere qualcosa tipo Spy con Melissa McCarthy" Daniel Radcliffe La storia di Playmobil: The Movie inizia nel mondo reale, con i due fratelli Marla e Charlie - rimasti orfani quattro anni prima per colpa di un incidente occorso ai genitori - che sono alle prese ognuno con i suoi problemi: lei ha la responsabilità del fratello da crescere, lui invece è un solitario molto chiuso in sé stesso. Un giorno, Charlie fugge dalla sorella per visitare una mostra a tema Playmobil e lei lo raggiunge per rimproverarlo ma, immediatamente, entrambi finiscono proprio nel mondo dei Playmobil, nel bel mezzo di una battaglia tra vichinghi. Qui Charlie viene rapito da dei pirati e scompare misteriosamente, costringendo Marla a cercarlo aiutata da improbabili alleati, tra cui un autista di camion e un agente segreto... In maniera piuttosto retrò ma sempre efficace, anche questo nuovo film animato si serve della dicotomia mondo reale/mondo immaginario dei giocattoli, un po' come il già citato The Lego Movie, anche se lo fa in maniera molto esplicita, in stile anni 80 appunto. Il mondo dei Playmobil è poi rappresentato nel modo più ampio possibile, con tantissime ambientazioni e altrettanti personaggi che arrivano direttamente dalla storia quasi quarantennale dell'azienda tedesca (ma non mancano le inserzioni originali pensate apposta per il film. Per quanto riguarda le voci originali, il nome di richiamo del cast è sicuramente quello di Daniel Radcliffe, ovviamente conosciuto da tutti come l'Harry Potter dell'omonima saga cinematografica, che interpreta l'agente segreto Rex Dasher (tutti gli altri interpreti sono piuttosto noti negli USA e molto meno da noi: si tratta di attori di lunga percorrenza in serie tv di successo, comici e anche un ex American Idol nel ruolo dell'antagonista principale. Sei d'accordo con Giorgio Crico? Scrivi a Giorgio Crico.

For tablet. help me find video playmobil: the movie youtube. Playmobil: The Movie Theatrical release poster Directed by Lino DiSalvo Produced by Aton Soumache Dimitri Rassam Moritz Borman Alexis Vonarb Screenplay by Blaise Hemingway Greg Erb Jason Oremland Story by Lino DiSalvo Based on Playmobil Starring Anya Taylor-Joy Jim Gaffigan Gabriel Bateman Adam Lambert Meghan Trainor Daniel Radcliffe Music by Heitor Pereira Edited by Maurissa Horwitz Production company Method Animation ON Animation Studios DMG Entertainment Distributed by Pathé Distribution Release date 10 June 2019 ( Annecy) 7 August 2019 (France) 6 December 2019 (United States) Running time 99 minutes [1] Country France [2] Language English Budget 40 million [3] Box office 15. 4 million [4] 5] Playmobil: The Movie is a 2019 English-language French computer-animated musical adventure comedy film based on the German building toy Playmobil. The film is directed by Disney veteran Lino DiSalvo, in his directorial debut, written by Blaise Hemingway, Greg Erb and Jason Oremland, and produced by On Animation Studios. The film stars the voices of Anya Taylor-Joy, Jim Gaffigan, Gabriel Bateman, Adam Lambert, Kenan Thompson, Meghan Trainor and Daniel Radcliffe. The film follows a girl named Marla who tries to save her brother from a Playmobil world the two are sucked into, and becomes involved in the midst of a population-capturing scheme by Emperor Maximus. Premiering as the opener of the June 2019 Annecy International Animated Film Festival, Playmobil: The Movie began theatrical runs in France on 7 August 2019 by Pathé, in the United Kingdom on 9 August 2019 by StudioCanal, and in the United States on 6 December 2019 by STXfilms. Playmobil: The Movie was panned by critics for being a perceived feature-length advertisement; most criticism was of the poor storytelling, generic songs, and worldbuilding problems, with several negative comparisons to The Lego Movie. It was also a box-office bomb, grossing 15 million on a 40 million budget, and in the United States had the worst opening weekend ever for a film playing in over 2, 300 theaters. [6] Plot [ edit] Marla is a formerly free-spirited girl who has grown up to be responsible yet overprotective in order to care for her brother Charlie, who has grown lonely and disconnected from her after the death of their parents. One night, Charlie sneaks out to visit a toy museum with a Playmobil exhibit. After Marla arrives and scolds Charlie for running away, a lighthouse illuminates them and transports them to the Playmobil world. Marla and Charlie find themselves in the middle of a Viking battle, and Charlie helps them until he is kidnapped by some pirates. Frantic to find her brother, Marla goes to the nearest town hoping to ask for help, and runs into Del, the driver of a food truck whose client refuses to pay him over pink hay that causes the town's horses to sprout wings. As Marla tries to form a posse to find Charlie, Del gets her out of trouble when she shows Viking gold to the whole town, and agrees to help Marla find her brother in exchange for the gold. Marla and Del run into Rex Dasher, a secret agent and an old friend of Del. Rex explains that a number of characters have disappeared, and the group sneaks into a villainous spy headquarters to find information about the disappearances. Despite some issues, they successfully gather the data and escape, but Rex is later captured by the pirates. He is taken away to Constantinopolis and finds Charlie, who had been locked up with other characters by Emperor Maximus, who intends to have the prisoners fight to their deaths. Rex tells Charlie that Marla had been looking for him, which encourages Charlie to break away. However, he later allows himself to be recaptured so the other characters could escape. Del recognizes that a device used by the pirates belongs to Glinara, an alien crime lord. After meeting with her in exchange for information, Del offers to pay twice as much as he owes her. Glinara agrees and reveals that she sold the device to Maximus. However, Del is unable to uphold his end of the bargain, as Marla only had two pieces of gold left. Angered, Glinara captures them and attempts to drop them into a portal, but they are spared by Glinara's robot servant Robotitron, who hacks the portal and drops the group into a forest. Del leaves the group, upset by Marla's deception. Marla and Robotitron get lost in the forest until Marla accidentally hits a fairy godmother, who encourages her to continue her search and sends her to Constantinopolis. Arriving at the city, Marla reaches a coliseum where Charlie is about to fight a Tyrannosaurus rex. Charlie and Marla work together to fight off the T-Rex, but to no avail. Del soon arrives with his food truck, and Marla uses the last of Del's pink hay to turn the T-Rex harmless. An enraged Maximus orders his guards to arrest them, but the guards reveal themselves to be Rex and the missing warriors, who then lock Maximus inside a cage. As everyone celebrates their victory, Marla and Charlie use the T-Rex to fly back to the lighthouse and return to the real world, where it is revealed that they were missing for only five minutes. On good terms, Marla promises to Charlie that their relationship will be mended. In a mid-credit scene, one of the security guards finds a figure of Maximus on the floor next to a cage. As he places him on top of Mount Olympus, Maximus's laugh is heard. Cast [ edit] Anya Taylor-Joy as Marla Brenner. Charlie's sister, who also voices Marla's Playmobil form. Lino DiSalvo cast Taylor-Joy for the "texture" of her voice, and described her performance as "believable and emotional. 7] Gabriel Bateman as Charlie Brenner. Marla's brother, who also voices Charlie's Playmobil form. As DiSalvo explains, when I met Gabriel, I totally saw a kid that Spielberg would cast. 8] Ryan S. Hill plays a 6-year-old Charlie. Jim Gaffigan as Del. A food truck driver who supports himself with several side jobs and is Marla's best friend. Daniel Radcliffe as Rex Dasher. A secret agent who helps Marla. While normally reluctant to play spy roles in films, Radcliffe accepted the part of Dasher because "there is something incredibly fun about playing an unbelievably confident, kind of to the point of being an oblivious, person who is constantly undercut by other characters who make him realise that maybe he's not as smooth as he thinks he. 9] As he explained on The Zoe Ball Breakfast Show, Rex Dasher is a Playmobil version of James Bond. There's a ridiculous thing that will sound suitably ridiculous to your listeners, because they know that it would be ridiculous for me to play James Bond in real life. But because I have an English accent I go to America, a lot of people think and say something to the effect of, You should be James Bond. And I say, No, you're wrong. So the chance to play Playmobil James Bond was like, That seems a little more my speed. 10] On an April 2019 airing of The Graham Norton Show, Radcliffe displayed a figure of Dasher that was sent to him by the director. [11] Adam Lambert as Emperor Maximus. The tyrannical ruler of Constatinopolis. Heavily playing with Playmobil figures as a kid, Lambert stated that enjoyed playing the part: He's an obnoxious, ridiculous, comical bad guy. He's got like Napoleon complex, he's incredibly narcissistic. He loves the sound of his own voice. He's spoiled. He's a brat. And he usually gets his way. 12] He explained that he played the character as himself "on a really bad day. and said performing the musical number was his favorite part of working on Playmobil. [13] Kenan Thompson as Bloodbones A pirate captain. In addition to the role's Broadway-level singing demands, the nasal-y-voiced Thompson also had to perform his lines in a guttural tone, which gave him a "headache. 14] Meghan Trainor as The Fairy Godmother. An unnamed fairy godmother who Marla encounters in a forest. It was Trainor's childhood dream to play a fairy character, but also a very difficult task: Ive never smiled so hard in my life to make this girl happy and I was jumping up and down. 15] Trainor's involvement in Playmobil: The Movie began while writing "Run Like The River" for her album Treat Myself. "I remember meeting someone who was like, this should be in the movie. explained Trainor; and a week later, she presented the song to DiSalvo: It looked like it blew his mind. 15] Lino DiSalvo as Robotitron. A robot employed by Glinara. Maddie Taylor as Glinara. An alien crime lord. Kirk Thornton as Ook Ook Dan Navarro as Viking Leader Paloma Michelle as Valera, an Amazon warrior. [16] Spike Spencer [17] Production [ edit] Development [ edit] An animated feature film based on Playmobil figurines, produced by On Entertainment, Wild Bunch and Pathé, was announced in November 2014 and originally expected to be released at the end of 2017. [18] The film originally involved Bob Persichetti as director and screenwriter. The film would be the first in a trilogy of theatrical animated films based on Playmobil. Persichetti initially pitched the film to Sony Pictures Animation. Although Sony tried to buy the pitch, it fell through. He was eventually offered instead to direct the 2018 superhero film Spider-Man: Into the Spider-Verse. [19] The film was animated in On Animation's Canadian facilities. The film was also originally supposed to be distributed by Cross Creek Pictures. [20] ON Animation's producers acquired the rights for the film circa January 2016. [21] On 9 February 2016, Lino DiSalvo came on board to direct the 75 million budgeted film, replacing Persichetti. Dimitri Rassam and Aton Soumache of On Animation Studios produced the film. [22] 23] On 12 May 2016, Open Road Films acquired the US rights to the film, whose screenplay was written by Blaise Hemingway. It marks DiSalvo's directorial debut after spending 17 years at Walt Disney Animation Studios. Alexis Vonarb, Axel Von Maydell, and Moritz Borman also produced the film. [24] Maydell was first associated with the Playmobil brand fifteen years before the film's release, when he was involved in producing interactive games for the company. [25] Heitor Pereira 's involvement was announced on 21 June 2017. [26] On 17 November 2017, it was reported that Wendi McLendon-Covey would star in the film. [27] In June 2018, the film's production was underway and some details of the film were revealed, during a session at Annecy International Animated Film Festival. [28] In October 2018, lead voice cast was announced which included Anya Taylor-Joy, Gabriel Bateman, Daniel Radcliffe, Jim Gaffigan, Meghan Trainor, and Adam Lambert, while Trainor and Lambert would also write and sing original songs for the film. [29] Writing [ edit] DiSalvo instantly got to work on animatics following Open Road's acquisition, completing five animatics in Los Angeles in Montreal before work on the assets began. [21] The first 15 months of the film's production was spent in Los Angeles, with a crew of ten people. When the project moved to Montreal, 300 people ( more than half of the animation crew at a typical Disney movie" were involved. [21] Both DiSalvo and Hemingway, long-time friends, re-watched their favorite 1980s films like E. T. the Extra-Terrestrial (1982) in writing Playmobil; Hemingway explained that both the movie and the old-school films they referenced knew "how to find what is magical in the most mundane situations. 30] The producers wanted to capture a child's emotion of playing with toys with Playmobil, 25] which meant DiSolvo had to research. He interviewed more than 200 fans of Playmobil from across the globe, 31] finding that the toy series was mostly enjoyed for its role play element, where "they dont tell you who the hero is — the player defines who the hero is. 21] Thus, he went for a role-playing vibe in writing the film's story. [21] DiSalvo also revisited his childhood home to look at the toys he played with as a kid. [32] The German Playmobil company also sent every Playmobil set ever released to the Los Angeles development location, and the writers used them to conceive characters. A food truck and a figure wearing a Hawaiian shirt, for instance, led to the creation of Del. [31] Initially, the writers planned Playmobil: The Movie to start with either a shot of an opening storybook or a narration, similar to most fairy tale movies. These ideas were rejected due to not being "organic" enough for the overall product. [21] They finally chose to have opening and closing live-action sequences: Marla, has lost touch with the childs point of view that she used to have. It felt right to show her in a live-action world where there is no magic. When she finds herself in a very magical situation — which is the entrance to the world of Playmobil, it becomes the catalyst for the whole movie. 21] Animation [ edit] Playmobil: The Movie was animated with Autodesk Maya. [33] Julien Bocabeille supervised the film's animation team that consisted of 56 animators. [34] Being that Playmobil: the Movie was a story about wish fulfillment, the scale was one of the biggest priorities. According to production designer Rémi Salmon: We see those toys from a kid's eyes, not what he has in front of him but what he imagines. The pirate in his hand has a stiff plastic cape, but when he plays, he sees the cape floating in the wind. 21] The animators' biggest challenges came in the set designs and character animation. [34] While each Playmobil universe varied in tone and lighting due to their differing styles, they had to have some consistences with the Playmobil world. [34] The Fifth Element and the works of J. J. Abrams were influences in designing the city of Glinara. [35] Having "a touch of richness and life" in the film's Playmobil world depended on not just the lighting being "pushed pretty far in a very cinematographic way; but also the characters, particularly their movements and textures. [21] While not entirely animated like humans and having plastic hair and skin, the toys were given "a 20 percent freedom to bend and stretch" and wrote actually cloth-made attire for close-up shots. [21] The animators had to work with limits that came with moving the Playmobil figures, especially when it came to animating faces. The faces are 2D shapes imposed onto 3D heads, meaning that big parts of how human faces are expressed (cheekbones, nose and jaws) are not present. [34] Coming up with a convenient workflow for animating 2D faces on 3D objects was another challenge, which Jeremy Ringard and Claude Levastre was responsible for. They first came up with the idea of modeling and rigging the features as 3D shapes, but this lead to problems of Z-fighting, intersection and "floating" appearances in close-up shots. [36] They then thought of a "texture flipbook" where the animators chose from a set of facial features in order to keep the look of the movie consistent; however, they figured that it would disallow any variations to the expressions and be very expensive due to the amount of storage, texture resolution and file management involved. [33] Finally, they came up with a system where the animators used 3D-rig-controlled 2D shapes that were converted as a dynamic texture applied on the 3D head in the viewport, and the animation would be rendered real-time through a shader free of resolution or sampling restrictions. [33] The car Dasher drives is a Porsche Mission E, the 2015 concept version of the Porsche Taycan; Playmobil is the Porsche's first appearance in a major film, and a remote-controlled Mission E toy was released as a movie tie-in. [37] Themes and style [ edit] Today, we have so many cynical movies and TV shows out there, but I wanted to make a movie about a family coming together. Hopefully, parents and their kids will feel the same way about the movie, and appreciate the truthfulness of Playmobil as we tried to explore the wonderful truth thats in these toys. —  DiSalvo on the purpose of Playmobil: The Movie. [21] Many of us have seen James Bond 's films, Clint Eastwood 's spaghetti westerns, and cloak and sword films as children. When we started to talk about moving from one genre to another, we ended up like kids playing with their Playmobil in the living room! —  Playmobil producer Tito Ortiz [38] According to DiSolvo, the moral of Playmobil: The Movie is, The only rules that matter are the ones you set. 39] As Nick Hasted of The Arts Desk categorized Playmobil, its a breezy B-movie in a genre aspiring to Mad comic satire and grand opera; with a "unpretentious good nature" a la 1980s and 1990s after-school specials. [40] Due to Playmobil being set in a world filled with different universes, the film caricaturizes and plays with the tropes of several genres, including western films, fantasy, science fiction, and musicals. [32] In acknowledging inevitable comparisons to The Lego Movie, DiSalvo claimed, The movie Lego relied a lot on comedy and wasn't so much driven by characters, while our film will follow more the Disney tradition of storytelling and is meant to appeal to girls as much as boys. 28] According to Tito Ortiz, Playmobil is about the importance of forgiveness, tolerance, and unity in broken families. [38] DiSalvo also described Playmobil: The Movie as similar to the Tom Hanks film Big (1988) in that the main character has to think like a child to achieve her goal. [31] Its premise of two siblings being sucked into a fantastical setting also garnered comparisons by journalists to The Pagemaster (1994. 41] the Jumanji films, 41] and Pleasantville (1998. 42] while the use of a live-action opening and a brother-and-sister relationship was also in The Lego Movie 2: The Second Part (2019. 41] 43] Some reviewers noted the shedding of gender roles in Playmobil, including Hasted: When DiSalvo detours to Playmobils girl-focused range with the arrival of Meghan Trainors tattooed fairy godmother and pink flying horses, Marlas brisk bravery muddles gender stereotypes with similar irreverence. 40] Caroline Siede honored the film's "Be anything you want to be" message for allowing Marla to be any type of character regardless of her gender, 41] and Charlotte O'Sullivan of the Evening Standard called her a better Susan Pevensie: Though interested in lipstick, and keen on being grown-up, she is never dismissed as silly or vain. 44] One NBC News review noted Dasher's "pointed jabs about sexist archetypes. 45] Soundtrack [ edit] Run Like The River" was released as a single on 26 July 2019, and the film's soundtrack album 2 August 2019. [46] Release and promotion [ edit] Playmobil: The Movie premiered as the opener of the 2019 Annecy festival, which ran from 10–15 June 2019. [47] As reported by Cartoon Brew, it "was widely criticized by festival attendees and caused large numbers of the audience to leave in the middle of the film. 48] On 17 June, CineEurope presented a trailer and a clip of Playmobil. [49] Playmobil: The Movie had its first trailer released on 16 December 2018, with a release date set for 16 August 2019. [42] The second trailer was unleashed on 23 July 2019, the release date changed to 22 November. [50] 51] Each trailer present a different premise: the first presented the film as focusing on Marla trying to save his brother in a Playmobil. [42] while the second revealed the live-action segments and depicted it as being about Rex Dasher saving the Playmobil population from a secret organization. [52] Ben Pearson of /Film noted that the marketing strategy "trie[d] to shield its actual plot. 52] He also called the film's animation promising: While the characters are clearly simplified to match the Playmobil toys that inspired them, the animation looks pretty slick and there's some interesting lighting going on in a few of the shots on display here. 52] Chris Evangelista of /Film wrote upon the first trailer's release, It's pretty clear that Playmobil: The Movie is skewing to a young audience. And while this may seem like a cynical cash-grab, many people felt the same way before the first LEGO Movie came out, until the final results proved to be surprisingly enjoyable. Maybe Playmobil will manage to do the same. 42] CNET, also responding to the trailer, opined that "It looks fun and hopefully will boast the same universal appeal as the Lego Movie. 53] Commenting on the second trailer, Screen Rant writer Mike Jones felt the humor had its "own charm and feel" despite being comparable to The Lego Movie: there does appear to be a decent amount of fun, laughs and adventure on display. 50] However, he also questioned the scheduling of "such a small scale" production being scheduled in a season having to compete with Jumanji: The Next Level and Star Wars: The Rise of Skywalker. [50] Collider 's coverage of the second trailer was ecstatic, noting its "fun" factor and opining it had the same meta humor style as The Lego Movie. [54] Sarah El-Mahmoud of Cinema Blend summarized, the trailer showcases tons of fun action sequences with fast car chases, dinosaurs, and scared squirrels. One has to wonder if a connection to human kids will also be present in this movie as The LEGO Movie and Toy Story do. However, with the awareness that the film was trying to capitalize on the fame of The Lego Movie, she also had skepticism toward its success due to the weak box office of The LEGO Movie 2: The Second Part. [55] A PopSugar journalist claimed, damn, it looks good. also showing enthusiasm for Radcliffe's appearance. [56] According to Geekspin, a few people already have a hunch that the Playmobil movie will flop at the box office. due to the superior popularity of Legos over Playmobil, and the film's lack of intellectual properties, and star power. [57] Playmobil: The Movie was released in France by Pathé on 7 August 2019, on 610 screens, and was released in the USA by STX Entertainment on 6 December 2019. It was originally scheduled to be released in the United States by Open Road Films on 18 January 2019, 24] which was later delayed to 19 April 2019, 58] Due to the bankruptcy of Global Road, STX bought the U. S. distribution rights to the film in early April 2019, 59] and set the U. release date to 30 August 2019. On 5 August 2019, STX pushed the U. release date back once more to 6 December 2019, among other schedule changes of other films from STX that reportedly happened due to STX having limited cash flow, and wanting to pull their resources in to support Hustlers, although STX has denied that this was the case. [60] Upon its release in the United States on 6 December, STX reportedly encouraged theaters to offer tickets to all showings of the film for just 5 USD, a significantly lower cost than most American movie tickets. [61] The film news site Moviehole also gave away ten family passes of Playmobil. [62] In other territories, Playmobil was released to theaters in Belgium, the Netherlands, and Switzerland on 7 August 2019; 63] 64] 65] Bolivia and Israel on 8 August 2019; 66] 67] the United Kingdom on 9 August 2019, 68] Mexico and South Africa on 16 August 2019; 69] 70] Costa Rica, Nicaragua, Panama, Honduras, and Slovakia on 22 August 2019; 71] 72] 73] 74] 75] Germany, Singapore, and Thailand on 29 August 2019; 76] 77] 78] Poland on 23 August 2019; 79] Austria, Indonesia, Spain, and Venezuela on 30 August 2019; 80] 81] 82] 83] Egypt and the Philippines on 4 September 2019; 84] 85] Bahrain, Jordan, Kuwait, Lebanon, Oman, Qatar, the Dominican Republic, and the United Arab Emirates on 5 September 2019; 86] 87] 88] 89] 90] 91] 92] 93] South Korea on 11 September 2019; 94] Czech Republic, Malaysia, Paraguay, and Uruguay on 12 September 2019; 95] 96] 97] 98] Iceland on 13 September 2019; 99] Bulgaria and Sweden on 20 September 2019; 100] 101] Hungary on 26 September 2019; 102] Finland and Romania on 27 September 2019; 103] 104] Portugal on 3 October 2019; 105] Ecuador on 4 October 2019; 106] Argentina on 10 October 2019; 107] Estonia, Lithuania and Latvia on 25 October 2019; 108] 109] 110] Colombia on 7 November 2019; 111] and Australia on 12 December 2019. [112] In Australia, Seven Network 's show Sunrise promoted it with a giveaway where two winners received a Playmobil Prize Pack for both tickets to the film and toy sets. [112] The Sunday Times ran a contest where five people could enter to win tickets, with one of them winning an Instax mini-camera in addition. [113] On 4 February 2020, Playmobil: The Movie VR Adventures, a virtual reality video game, will be released on Steam. [114] Reception [ edit] Box office [ edit] Playmobil: The Movie has grossed 1. 1 million in the United States and Canada, and 14. 3 million in other territories, for a worldwide total of 15. 4 million. [4] 5] In France, Playmobil opened to 604 theaters before performing at a maximum of 683 in its third week; it opened at number five with an opening weekend ground of 963, 910, and by the end of its seven-week run, it grossed a total of 2, 627, 246. [115] In the United States, Playmobil: The Movie opened in 2, 300 theaters; 116] industry experts predicted the film would have a three-day opening gross of around 905, 000 [117] and would likely become a box office bomb. [118] Preview screenings on 4 December and 5 December were very low, 4 December totaling around 40, 000 and 5 December 230, 000. [3] As The A. V. Club summarized, STX is dropping it into U. theaters the weekend after Thanksgiving without press screenings, giving it the authentic discount-bin appearance of a toy store going out of business. 119] 120] The US marketing budget was limited to roughly 3 million, 121] RelishMix reporting a lack of social promotion of any of its stars except for one tweet from Trainor. [3] STX set the marketing money this low due to the film's poor international box office. [122] Boxoffice Pro analyzed the film "would open just two weeks after Frozen II, one week before Jumanji: The Next Level, two weeks before Star Wars: The Rise of the Skywalker, and less than three weeks before Spies in Disguise — all of which are shoe-ins to attract young audiences and dwarf potential interest in PLAYMOBIL. 123] According to STX president Kevin Grayson, This is a 52-week-a -year business and we were looking for an opportunity to utilize the early December play date. 122] According to Deadline Hollywood, Playmobil was released only weeks after Frozen II and used a variable pricing strategy where STX and many theater chains offered 5 tickets. [3] Originally projected to gross 600, 000–800, 000 on its opening day, Playmobil grossed just 167, 000, making it the third-worst opening day of all time for a 2, 000-plus theatre production, behind Delgo (2008) and The Oogieloves in the Big Balloon Adventure (2012. 121] fourth if counting the 2014 re-release of Saw (2004) and 24th if also including films with between 1, 000-1, 999 theaters. [124] 125] It went on to gross 660, 000 in its opening weekend (an average of 287 per-venue) the fourth-worst of all-time. [3] Shortly after the weekend, Grayson responded that STX would use variable pricing in their future projects: we have already learned from this experiment. And we will continue to learn more and will tweak it for the future so it can be the benefit to the industry that we know it can be. 122] While the film's several worldwide distributors recouped TV sale money, they also financed it via pre-sales and thus face losses. [122] Rebecca Rubin, a Variety writer, attributed the low box office to the Playmobil brand being far less popular than Lego. [122] Critical response [ edit] On Rotten Tomatoes, the film holds an approval rating of 16% based on 59 reviews, with an average rating of 3. 72/10. The site's critical consensus reads: Much like the toys it advertises, Playmobil: The Movie seems sadly destined to be regarded as a superficially similar yet less desirable alternative to the competition. 126] On Metacritic, the film has a weighted average score of 25 out of 100, based on 13 critics, indicating "generally unfavorable reviews. 127] Audiences polled by CinemaScore gave the film an average grade of "B+ on an A+ to F scale, while those at PostTrak gave it an average 1. 5 out of 5 stars, with 36% saying they would definitely recommend it to a friend. [3] In the PostTrak grade, adult audiences made up 31% of poll, children under 12 69% the adult gave the film an average two-and-a-half stars, the kids under 12 around 3. 5 to four stars. [3] The New Zealand online publication Stuff named it "a strong contender for the worst film of 2019. 128] Reviewers primarily criticized Playmobil: The Movie for being more of an advertisement than a compelling story that practiced its moral about being bold and adventurous. [129] 130] 131] 132] 133] 134] In a Rotten Tomatoes editorial, the site said critics generally called it "a regrettably mediocre outing that offers little aside from a barrage of colorful images and a brisk but ultimately generic and uninspired story. 135] As, calling it "the worst animation of the year so far. put it, the story is boring, the characters are utterly unlikeable, and. one is increasingly struck by the lack of anything new or interesting in the film whatsoever. Its lack of imagination or creativity is painful. 136] A couple of reviews viewed it as part of a major problem of poorly-done toy films from Hollywood. [45] 131] Several reviews made negative comparisons to The Lego Movie, 132] 137] 133] 134] 138] such as a Variety review by Day Lodge that summarized Playmobil: The Movie as The Lego Movie "but without that blockbuster's dizzy, self-aware wit and visual invention. 130] Nell Minow wrote that "it does not even work as a commercial, never showing us why these toys could be especially fun to play with. and called the settings and toys "bland and generic. 139] Some critics found it way too safe for a film about imagination, 133] 43] including Katherine McLaughlin of The List: The references are simply too familiar to excite, as it coasts along on nostalgia and a well-worn formula. 43] According to The Observer. Playmobil shamelessly steals ideas. This eyesore of a cash-in lifts plot elements from Thor and Jumanji, then thinly threads them together with a few songs and shrill mantra about the need for adventure. 140] Multiple errors in worldbuilding were spotted by critics, 141] such as its odd mixture of replications of historical and fictional settings; 142] and the overly-realistic textures [142] and movements of the Playmobil figures. [143] 139] As Minow explained, After a whole scene establishing the limited mobility of the Playmobil characters, they suddenly switch to being able to have human-like joints and range of motion. 139] Clariss Loughrey asked, Shouldnt everything be plastic? Then why do the horses have fur. 142] Yolanda Machado noted, Marla cant figure out how to walk without the use of knees and yet, a minute later, shes running. 141] Maryann Johanson noticed even more issues with the figure movements: A big joke is made out of how Marla, in her Playmobil body, can't walk because she has no knees. and then knees inexplicably appear and she can walk fine. Everyone has elbows, too, which the toy figures also don't have. And everyone is stuck with those clamshell hands, yet are still able to manipulate chopsticks. 144] As Paul Whitington felt, the themed kingdoms they visit only seem to have been chosen because Playmobil do toys based on these scenarios: sometimes, as in the wild west sequence, they are passed through virtually without comment. 145] The live-action sequences also garnered some derision; 134] one reviewer opined it felt "like something out of an ‘80s movie. 45] while another panned the sequence's stiff direction. [40] Salt Lake City Weekly called all of the film's concepts "all pointlessly random and head-smackingly dumb, even when it sounds on paper like it might be funny. 146] According to Machado, Playmobil: The Movie suffered from storytelling "whiplash. using the "mishmash of odd characters" and the sudden death of the main characters' parents as examples. [141] The A. Club criticised the choppy plot and erratic pace, reasoning it made Playmobil: The Movie "poorly conceived at every story turn, unable to even stick to a particular generic message to make up for its extremely basic humor. 147] The film's hurried speed also came up in a Radio Times review that stated it "never stops long enough to make its story memorable. 148] Lodge wrote the film had so little amusement it was absent of sight gags, 130] while Minow bashed the inclusion of parental death as too dark for a kid's film. [139] An RTÉ review called its emotional moments "heavy-handed and forced. and criticized the parents' death as "solely a plot device for the sake of plot device. 149] The songs were also called forgettable, generic, and "terrible" by several journalists; 139] 134] 130] 41] 136] one wrote that they "have remarkably little melodic staying power. 130] and another analyzed, theres no chorus and the characters simply just say things to a tune. 142] However, some reviewers did highlight Taylor-Joy's singing on the opening number. [142] 41] Playmobil: The Movie wasn't without supporting reviewers. Siede was appreciative towards the "low-key, non-judgmental" writing of the film, praising it for being more "heartfelt and earnest" than other "crass and cheap" offerings usual for children's flicks. [41] O'Sullivan summarized, for a movie so clearly doubling as product placement, its also fun, a cartoon (bookended by live-action sequences) which allows talented actors to riff on unexpected themes. She called the characters of Del and Rex "properly funny. 44] Most admirations came towards the characters and performances, especially Radcliffe's voice-acting, 142] 40] 43] the campy villain Emperor Maximus, 45] 150] 142] 40] and Taylor-Joy's acting. [43] 40] Hasted opined, Taylor-Joys tendency towards introverted, perhaps dangerous outsiders. finds little outlet in mostly mild Marla, but still makes her harassed heroine warmly sympathetic. 40] References [ edit] "PLAYMOBIL THE MOVIE (U. British Board of Film Classification. Retrieved 17 June 2019. ^ Playmobil, le film (2018. ^ a b c d e f g D'Alessandro, Anthony (7 December 2019. Frozen 2' Already Past 300M+ Leading Dreary December Weekend With 34M. Playmobil' Plummets To 702K. Deadline Hollywood. 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Retrieved 8 December 2019. ^ Playmobil: The Movie (South Africa. Retrieved 8 December 2019. ^ Playmobil: The Movie (Costa Rica. Retrieved 8 December 2019. ^ Playmobil: The Movie (Honduras. Retrieved 8 December 2019. ^ Playmobil: The Movie (Nicaragua. Retrieved 8 December 2019. ^ Playmobil: The Movie (Panama. Retrieved 8 December 2019. ^ Playmobil: The Movie (Slovakia. Retrieved 8 December 2019. ^ Playmobil: The Movie (Germany. Retrieved 8 December 2019. ^ Playmobil: The Movie (Singapore. Retrieved 8 December 2019. ^ Playmobil: The Movie (Thailand. Retrieved 8 December 2019. ^ Playmobil: The Movie (Poland. Retrieved 8 December 2019. ^ Playmobil: The Movie (Austria. Retrieved 8 December 2019. ^ Playmobil: The Movie (Indonesia. Retrieved 8 December 2019. ^ Playmobil: The Movie (Spain. Retrieved 8 December 2019. ^ Playmobil: The Movie (Venezuela. Retrieved 8 December 2019. ^ Playmobil: The Movie (Egypt. Retrieved 8 December 2019. ^ Playmobil: The Movie (Philippines. Retrieved 8 December 2019. ^ Playmobil: The Movie (Bahrain. Retrieved 8 December 2019. ^ Playmobil: The Movie (Dominican Republic. Retrieved 8 December 2019. ^ Playmobil: The Movie (Jordan. Retrieved 8 December 2019. ^ Playmobil: The Movie (Kuwait. Retrieved 8 December 2019. ^ Playmobil: The Movie (Lebanon. Retrieved 8 December 2019. ^ Playmobil: The Movie (Oman. Retrieved 8 December 2019. ^ Playmobil: The Movie (Qatar. Retrieved 8 December 2019. ^ Playmobil: The Movie (United Arab Emirates. Retrieved 8 December 2019. ^ Playmobil: The Movie (South Korea. Retrieved 8 December 2019. ^ Playmobil: The Movie (Czech Republic. Retrieved 8 December 2019. ^ Playmobil: The Movie (Malaysia. Retrieved 8 December 2019. ^ Playmobil: The Movie (Paraguay. Retrieved 8 December 2019. ^ Playmobil: The Movie (Uruguay. Retrieved 8 December 2019. ^ Playmobil: The Movie (Iceland. Retrieved 8 December 2019. ^ Playmobil: The Movie (Bulgaria. Retrieved 8 December 2019. ^ Playmobil: The Movie (Sweden. Retrieved 8 December 2019. ^ Playmobil: The Movie (Hungary. Retrieved 8 December 2019. ^ Playmobil: The Movie (Finland. Retrieved 8 December 2019. ^ Playmobil: The Movie (Romania. Retrieved 8 December 2019. ^ Playmobil: The Movie (Portugal. Retrieved 8 December 2019. ^ Playmobil: The Movie (Ecuador. Retrieved 8 December 2019. ^ Playmobil: The Movie (Argentina. Retrieved 8 December 2019. ^ Playmobil: The Movie (Estonia. Retrieved 8 December 2019. ^ Playmobil: The Movie (Latvia. Retrieved 8 December 2019. ^ Playmobil: The Movie (Lithuania. Retrieved 8 December 2019. ^ Playmobil: The Movie (Colombia. Retrieved 8 December 2019. ^ a b "Win 'Playmobil' movie tickets and a prize pack. Seven Network. 2 December 2019. Retrieved 5 December 2019. ^ WIN a family pass to Playmobil: The Movie PLUS a Fuji Film Instax Mini Camera. The Sunday Times. 21 November 2019. Retrieved 5 December 2019. ^ Playmobil: The Movie VR Adventures. Steam. Retrieved 11 December 2019. ^ Playmobil: The Movie (France. Retrieved 8 December 2019. ^ Rubin, Rebecca (3 December 2019. Frozen 2' to Ice Out Box Office Competition Again. Retrieved 4 December 2019. ^ Milligan, Mercedes (6 December 2019. Industry Watchers Predict a Rough Week for 'Playmobil. Retrieved 7 December 2019. ^ Scott, Ryan (4 December 2019. Playmobil: The Movie' Doesn't Stand a Chance Against 'Frozen 2' This Weekend. MovieWeb. Retrieved 5 December 2019. ^ A Skywalker will rise and awards contenders will compete this December at the movies. The A. Club. 5 December 2019. Retrieved 5 December 2019. ^ Barnhardt, Adam (6 December 2019. Playmobil: The Movie Projected to Bomb at the Box Office. Retrieved 6 December 2019. ^ a b McClintock, Pamela (7 December 2019. Box Office: Frozen 2' Crosses 800M Globally, Ices 'Playmobil: The Movie. Retrieved 7 December 2019. ^ a b c d e Rubin, Rebecca (9 December 2019. Box Office Bomb: Playmobil' Flops in Historic Fashion. Retrieved 9 December 2019. ^ Robbins, Shawn (11 October 2019. Long Range Forecast: The Calm Before December's Box Office Storm. Boxoffice Pro. Retrieved 7 December 2019. ^ Mendelson, Scott (7 December 2019. Forbes. Retrieved 7 December 2019. ^ Barnhardt, Adam (7 December 2019. Playmobil: The Movie May Set Record for Lowest Box Office for Film Opening in Over 2K Theaters. Retrieved 8 December 2019. ^ Playmobil: The Movie (2019. Rotten Tomatoes. Retrieved 12 December 2019. ^ Playmobil: The Movie Reviews. Metacritic. Retrieved 10 December 2019. ^ Tuckett, Graeme (12 December 2019. Playmobil: The Movie: Everything is awful. Stuff. Retrieved 12 December 2019. ^ Collin, Robbie (8 August 2019. Playmobil: The Movie review: like being beaten over the head with the Argos catalogue. The Daily Telegraph. ^ a b c d e Lodge, Guy (7 August 2019. Film Review: Playmobil: The Movie. Variety. ^ a b Stewart, Sara (5 December 2019. Toysploitation films: Enough already. New York Post. Retrieved 5 December 2019. ^ a b Hunter, Allan (11 June 2019. Playmobil – The Movie' Annecy Review. Screen Daily. Retrieved 5 December 2019. ^ a b c Mintzer, Jordan (10 June 2019. Playmobil: The Movie' Film Review. Retrieved 5 December 2019. ^ a b c d Clarke, Daniel (7 August 2019. Playmobil: The Movie – Shameless, terrible promo for German plastic dolls. The Irish Times. Retrieved 5 December 2019. ^ Fujitani, Ryan (6 December 2019. Dark Waters Is Certified Fresh. Retrieved 6 December 2019. ^ a b Molumby, Deirdre (9 August 2019. Playmobil: The Movie. Retrieved 7 December 2019. ^ Bradshaw, Peter (9 August 2019. Playmobil: The Movie review – borderline dopey kids' adventure. The Guardian. Retrieved 5 December 2019. ^ Schneider, Steve (4 December 2019. The Aeronauts. Playmobil: The Movie' and more films opening in Orlando. Orlando Weekly. Retrieved 6 December 2019. ^ a b c d e Minow, Nell (6 December 2019. Playmobil: The Movie movie review. Retrieved 6 December 2019. ^ Ide, Wendy (11 August 2019. Playmobil: The Movie review – a fake plastic copy. The Observer. Retrieved 7 December 2019. ^ a b c Machado, Yolanda (7 December 2019. Playmobil: The Movie' Review: Feature-Length Toy Commercial Lacks Wit and Heart. TheWrap. Retrieved 7 December 2019. ^ a b c d e f g Loughrey, Clarisse (8 August 2019. Playmobil: The Movie, review: A feature-length toy ad that has little of substance to offer. The Independent. Retrieved 6 December 2019. ^ Richards, Olly (5 August 2019. Empire. ^ Johanson, Maryann (5 December 2019. You'll be wishing for Lego while enduring the plastic horrors of Playmobil: The Movie. Inlander. Retrieved 7 December 2019. ^ Whitington, Paul (8 August 2019. Playmobil: The Movie review: An oddly joyless little animation - goes about its business with brisk, dead-eyed efficiency. Irish Independent. Retrieved 6 December 2019. ^ Renshaw, Scott (6 December 2019. Movie Reviews: The Aeronauts, Honey Boy, Playmobil, Waves. Salt Lake City Weekly. Retrieved 7 December 2019. ^ Hassenger, Jesse (6 December 2019. Playmobil: The Movie should have stayed in the toy box, or at least gone direct to streaming. Retrieved 6 December 2019. ^ Luxford, James. "Playmobil: the Movie. Radio Times. Retrieved 7 December 2019. ^ Brennan, Sinead (8 August 2019. RTÉ. Retrieved 7 December 2019. ^ Dotson, Spleeny (12 August 2019. Starburst. Retrieved 7 December 2019. Works cited [ edit] Playmobil: the Movie Presskit" PDF. UniFrance (in French. 2019. Retrieved 5 December 2019. Ringard, Jeremy; Levastre, Claude (28 July 2019. Facial pipeline in playmobil: the movie. SIGGRAPH. Retrieved 7 December 2019. External links [ edit] Playmobil: The Movie on IMDb.

Dude its as if the lego movie was on crack and made this movie. For tablet. help me find video playmobil: the movie 2016. Fandom Apps Take your favorite fandoms with you and never miss a beat. D&D Beyond. Something that baffles me is that the movie itself looks waay better than the renders used in the ads.